We asked Animation Mentor Grad, Pixar Animator, and current mentor Jane Cassidy to share the...
We asked Animation Mentor Grad, Pixar Animator, and current mentor Jane Cassidy to share the...
2017 has been...eventful to say the least. And that’s why we’re more grateful than ever for the...
To help you get a head start on 2018, we’ve compiled our top animation posts of the past year!...
What separates a good animator from a bad one? While the answer might be somewhat subjective,...
The animation industry is the business of creating myth and magic. As such, it’s not surprising...
Animation is a time-consuming art form—there’s just no way around it. Something that many people...
So you want to apply to a game studio but you’re wondering, "What exactly do I need to put on my...
When you’re creating a performance for a character, how do you decide how many poses to use? The...
With twinning—as with everything in the animation world—there’s always room to break the rules....
The short answer is: Whatever helps you get the shot done. The longer answer is: It varies from...
In animation, we want to believe that the character moved, not that someone moved the character....
We get it! It can be tough giving feedback to animators who are more advanced than you. You worry...
Sooner or later—usually sooner—someone is going to come along and blow you out of the water. But...
Shawn Kelly, AM Co-founder and ILM Lead Animator, took a break from working on Avengers 3 to talk demo reel do’s and don’ts, creature animation, and what studios are looking for in your reel!
Coming up with a great idea for an acting test is difficult. What are some things that can help...
Ever wonder what it’s like to work at Pixar? Of course your do! That’s why we chatted with Nate Wall, mentor and animator for The Good Dinosaur, Inside Out, and Finding Dory!
The difference between appealing and unappealing animation isn’t limited to subject; what matters is how you present ideas, concepts, and emotional highs/lows to the audience. Learn about Appeal from Disney Toon Studios animator Ethan Hurd!
Think you don’t need drawing skills as a 3D animator? Think again! Jay Jackson explains how drawing skills are essential for every animation style and shares some insider tips.
EXAGGERATION! Learn more from pro Dana Boadway-Masson about how you can use this principle to become a better animator in a BIG and BOLD way.
Timing is everything, especially when it comes to animation! Conceptually it seems simple, but getting right is a big challenge—and, if you ask DreamWorks and Disney veteran Dave Burgess, it’s also the most fun! Learn more about how you can use the principle of timing to improve your work and become a better animator.
Good secondary action energizes your shots and marks the difference between being a competent animator and an entertaining visual storyteller. Learn how you can use this principle to become a better animator from pro Kevin Koch.